Saturday, March 12, 2011

Can Herpes Spread To Your Stomach

CURRENCY: THE DOUBTS OF THE FATHERS in the future of the March 12

CURRENCY: THE DOUBTS OF THE FATHERS
Giuseppe Pennisi
monetary union was created in the wake of German unification. Then those states that were part of the European exchange rate (€ journalistically called EMS, EMS) it became clear that the unification of Germany that it had priority on European integration. They were ready to spend vast sums to the objective (in the first year transfers were made to the five new federal states seem to those carried out under both ordinary and extraordinary intervention of the South) and to sterilize the inflationary effects of monetary policy with the very strict whose impact would be felt in the rest of Europe. The initial proposal came from France, whose exchange rate with the mark was fixed because of the "covenant of the Louvre" in 1987: the creation of monetary union would make college (in the framework of the European Central Bank ECB and the Eurogroup) decisions, however, would remain only within the Bundesbank and the authorities in Berlin. Now, just in France (in many ways the heart of the euro), we have doubts about the future of currency and does not outline paths for the output of this or that country but for a new overall structure of the monetary union.
not just sociological surveys of research on confidence indices (the euro) da parte di campioni dell’opinione pubblica . Sulla scrivania dell’Ing. Trichet , Presidente della Banca centrale europea (Bce) c’è un elaborato del servizio studi dell’istituto (working paper n.1286) finalizzato sull’onda dell’aumento del differenziale dei tassi sulle emissioni decennali nell’eurozona (si va del 3 per cento di quelli tedeschi al’12 percento di quelli greci, al 9 per cento di quelli irlandesi, al 6,8 per cento quelli portoghesi ed attorno al 5 per cento quelli italiani). Lo studio include anche i differenziali (ancora più alti) tra i “corporate bonds” (emissioni societarie) e delinea la “probabilità di una nuova recessione”. L’interrogativo è chiaro: dato che il “salva Stati” può poco o nulla in questa materia, vale la pena insistere? La domanda sarebbe banale se non venisse dal “santuario dell’euro”, dove inoltre è allo studio un aumento dei tassi d’interesse Bce (come dichiarato dallo stesso Vice Presidente dell’Istituto, Lorenzo Bini Smaghi, in un articolo sul “Corriere della Sera”).
Alla vigilia della prossima riunione dell’Eurogruppo (15 marzo), al Ministro dell’Economia francese, Christine Lagarde, è stato consegnato il lavoro n.308 della Banque de France, dal titolo eloquente “To Be or not to Be in a Monetary Union. A Synthesis”. Lo studio, basato su un raffinato econometric model constructed for this purpose, concludes that in terms of welfare benefits to "add credibility" of the policies of States Parties to the club outweigh the costs only if inflation does not exceed 2-3 per cent a year and if the cycle Economic membership is "balanced." You can make fun by saying that there was no need for an elaborate construction of econometric reach this conclusion. What matters is the change of wind to the Bank of France (one of the pioneering activities of the euro). A similar change is felt in the last works OFC (the French institute of economic analysis).
However, una secessione unilaterale (come ipotizzato, ad esempio, dall’economista italiano Paolo Savona) ha un costo pesantissimo per chi la fa (sulla base del crollo di unioni monetarie negli Anni Settanta si può stimare sul 4 percento del Pil). Ed è onerosa anche per chi resta (e perde mercati). Attenzione, però, questa stima, basata su secessioni da unioni monetarie alla fine degli Anni Sessanta (la zona della sterlina), negli Anni Settanta (molteplici in Africa ed Asia) e negli Anni Novanta (la dissoluzione di quella dell’Urss) è stata di recente contraddetta da un lavoro del Fondo monetario (il working paper 10/169) sulla “ordinata” e “non costosa” “de-dollarizzazione” Peru: the costs can be contained if you follow a path in the medium term well-organized.
A road is drawn from Leszek Balcerowiz interesting, well-known economist in Central Europe, President of the National Bank of Poland from 2000 to 2007 is now at the Peterson Institute of International Economics in Washington. Balcerowiz was a passionate "€ enthusiastic." In a work completed in late 2010 (working paper No 10-18) argues that the sovereign debt crisis in the eurozone have to "open eyes", that lead to "growth policies to reduce the debt burden" and to "make more flexible economies "to better deal with new crises. "The model to look to for stability in the euro is not going towards a single state or a federation, but something similar to , a system of sovereign states with a single currency but has not of law. " Speaking Balcerowiz, we deduce that could be enough of a European mechanism to Bretton Woods or the old EMS strengthened.

Eastenders Audtions 2010

"DEATH IN VENICE" BRING LIGHT ON THE STAGE OF SCALE in Milano Finanza March 12

"DEATH IN VENICE" BRING LIGHT ON THE STAGE OF THE SCALE AND
Giuseppe Pennisi
'came late in Milan (where he is on stage until 19 March), the latest work by Benjamin Britten, "Death in Venice" of 1973, taken from the novel by Thomas Mann, who also inspired Luchino Visconti. The work was a huge success 38 years ago, in 1973-74 was represented in 15 countries and is considered one of the masterpieces of the twentieth century. In Italy we saw in Venice, Genoa and Florence. It requires a reduced orchestra (with the exception of percussion), two actors (a tenor and a baritone-bass) is almost always on stage, but also a counter tenor soloists and about 40 singers and dancers in minor roles. The wait has been rewarded by a show in Inglese co-production with the National Opera, ENO (where it is in the repertoire) and La Monnaie in Brussels, seen in recent years. Visconti
While emphasizing the theme of the attraction of an elder erotica writer for a German teenager Polish (Both on holiday at the Lido), Britten, a practicing Catholic and aware of a serious illness, analyze, in two acts and 17 scenes, in remorse for what was not done, the longing for youth, beauty lost, the ' anxiety about what will be found after death. In a Venice where the center and south and smelly and shines a glaring sun on the Lido. Effective directed by Deborah Warner, the beautiful scenes of Tom Pye, the accurate costumes Clohe Obolenski, dilation and poignant musical direction by Edward Gardner and excellent performers - everyone stands up John Graham-Hall - make it a full shade of work.